The most coveted and envied aparador style that only the wealthiest and the most influential principalia families of the 19th century colonial could possess, the form that became known as the ‘Manila aparador’ originated in Binondo, and eventually spread its ripple to Ilocos in the north and Laguna in the south, giving way to some provincial stylistic variations in the process. Classical Greek, Roman and Egyptian motifs and dark finish that became de rigueur again in the early 19th century are clearly evident: the elegant rectilinear silhouette of the carcase; the half-round Roman composite columns carved with Greek upright acanthus leaves and volutes, reeded shafts and turnings; the raised center of each door line inlaid with inverse C-scroll at the corners while the sides of the cabinet have conforming inlays; the entablature of reverse cove frieze with line inlays enclosing the alternating round and diamond inlay patterns, topped by a detachable cornice crown masterfully decorated with fine marquetry of flowers, foliates and berries; line inlaid truncated apron with angular center accentuated by a sunburst of contrasting color inlays; the Egyptian lotiform feet with contrasting color petal inlays; and the use of highly prized kamagong wood for added drama and preciosity. Inside are 3 shelves and a pair of drawers underneath with brass keyhole surround escutcheons and bail handles. Except for the silver keyplate, the whole cabinet, decorative parts and inlays are all original and in very good condition.